And this is the pramo that I want you to take a step out of that area and build, and this is the pramo that I want you to build, and this is the pramo that I want you to build, and this is the pramo that I want you to build.
I'm the kind of person who likes to spend more time decorating and looking at what's coming out of it than putting it together or painting, and I don't really like putting it together or painting that much, and I've got my hands that are thick, and I've got a lot of stress when I make a little bit of stuff like a cockpit in an airplane, and I know what I'm saying.
I'd like to do it again, too, because I've been inspired by the sculpture works of this oceanarium, the sculpture works of the second form of the beast, the sculpture works of the second form, the sculpture works of the second form of the beast.
I was so touched by this unprecedented Pramo experience!
First of all, the package.
The package is so cool!
It's going to blow up before you make it.
It's closed.
Is this just a 4P explanation?
It's a surprisingly small amount of information that doesn't make you feel like, "This is so complicated".
And look at this runner.
The runner is fat.
I'm sure you'll feel rich when the runner's solid.
The pieces are thick!
I thought this piece was the apostle of the stool.
It's big, but it's sharp.
You know, I'm just excited to see the runner sing before I put it together.
I'm working on it.
I'm going to cut it with a one-sided knife, and then I'm going to cut the gate with a magic screw.
It's going to be so nice with a magic scrub!
You can feel the beauty of the shapes, the beauty of the faces, the smoothness of the muscles, in one arm.
It's just a feeling of accomplishment to make one piece.
The expression of the hand is also delicate and powerful.
That's a nice little "spoof".
And in addition to the magnificence of the form, there's a more interesting point.I can't believe the parts are spotted.
This part of my arm.
It's a piece of art.
Oh, my God!
On the side of this ridge.
It's a part of the abdominal muscles.
Oh, my God!
It feels really good.
It's a feeling of being spotted by large pieces, and it's a sense of accomplishment that the shape of the pieces changes and the shape of the pieces comes out.
Anyway, I want you all to experience this feeling.
If I don't, I won't know for a lifetime.
The pieces are coming together.
Every time a piece comes out, it's like it's in your head, it's like it's in your head, it's like it's in your head, it's like it's in your head.
And then there's the runner that stacks up.
Oh, my God!
It's like a marble sculpture by Michelangelo.
Don't you see more and more plastic tiles in marble tiles?
It looks like a marble sculpture without a face.
The sculptor, the sculptor and the ocean floor team must have the ambition to create the most cutting-edge sculpture of our time!
I was very impressed with the dynamic and powerful shapes that appeared before me.
I think this is a bug in something.
It's just this level of completeness, and it's going to be pretty satisfying if you just put it in.
I've got a lot of things I want to try, so I'm going to paint them and put them in my article.
We may fail a little bit, but I hope you'll keep an eye on us.
Let's do it again next week!
